Monday, 14 November 2016

Last Night I Dreamt I Went to Mendeley Again

Major crisis with my bibliographic software - which is, of course, an extension of my brain...

I have long, loyally, supported Jabref - which is free, open source, sturdy and forgiving.  Jabref is a graphic interface for a Bibtex file.  We pick up our reference material from all sorts of places, with all sorts of encoding junk slotted in to it - but with Jabref we were able simply to ignore the junk, and stay true to UTF-8.  Until now...

This makes it sound as if I know what I am doing...  I am just a loyal, trusting, naive user...

Generally it is nice to see open source projects get active.  But...  A recent upgrade by the Jabref team has created major 'special character' problems.  'Special characters', like the special characters you find in Irish family names.  French family names.  Spanish family names.  Portuguese family names...

And this happened at a bad point in my backup regime...  I had let my guard down, I admit it...  Jabref, sturdy and forgiving...

Suddenly I had a bibliographic database that was full of visible coding junk.  I do keep back up routes open - through NYU I have access to Refworks, and I keep accounts open with Zotero and with Mendeley.

So, after thought, I took my Bibtex file into Mendeley, for a tidy up - and have rediscovered why I dislike Mendeley...  First the good thing...  That big clean screen has made tidying out the junk easy.  My database needed a good preen anyway...

But Mendeley, Mendeley...

It has all been said before...


And this, by singer Kit Nelson, is really good - chewing those 30s/40s vowels...


Interesting to see, from the comments on Kit Nelson's page, that people now do this monologue for drama examinations...

Mendeley...  Mendeley...  Secretive and silent...

Tuesday, 9 August 2016

Listening to BBC Radio 4, Archive on 4, Tolkien the Lost Recordings

Tolkien:  the Lost Recordings was broadcast on BBC Radio 4 on Saturday August 6 2016, and is still available on the BBC web site...


The Producers are Anna Scott-Brown and Adam Fowler.  It is an Overtone production for BBC Radio 4.


Well, yes, I now feel that, as far as this project is concerned, my work is done.

Nunc dimittis - cue image of Oxford towers, and plaintive music. 

And on to the next rescue.

I thought that the programme worked very well, and that the decision to pitch it to the Tolkien scholars and the Tolkien enthusiasts was the right one.  So, for me, the calming discoveries were the contributions of Dimitra Fimi and Tom Shippey.  With that, and Stuart Lee's forthcoming article, we can now say that Leslie Megahey's 1968 film 'Tolkien in Oxford' has its appropriate place in Tolkien Studies.

The technical solutions to the presentation problems were fun - like the Joss Ackland character, the bemused and only slightly interested interlocutor.  It was like something from Louis MacNeice, and the glory days of radio 'features'.  Well done, Adam and Anna of Overtone...  Very brave...

But, of course, we have simply created or postponed yet further need to delve in archives.  So, yes, Leslie Megahey's 1968 film 'Tolkien in Oxford' now has its appropriate place in Tolkien Studies.  But do we now need a study of the place of that 1968 film 'Tolkien in Oxford' in Megahey Studies?

Somewhere in the Overtone archives, there is a bit where Patrick O'Sullivan outlines, so succinctly and elegantly, the cinematic techniques of Leslie Megahey - as discovered in 'Tolkien in Oxford' - and their development in the subsequent career.

But, as Tolkien said - or was it Marx? - we make history, but not in circumstances of our choosing...

Patrick O'Sullivan
August 2016

Tuesday, 19 July 2016

Archive on 4, BBC Radio 4, Tolkien - the Lost Recordings

I have gathered and tidied this information, below, about the forthcoming Archive on 4 programme on BBC Radio 4, about the 1968 Leslie Megahey BBC film, 'Tolkien in Oxford'.  This Archive on 4 is an Overtone Productions Ltd. Programme for the BBC...

Regular readers will know that a number of us, led by Leslie Megahey, have worked to restore and mend the film, and to explore its place in Tolkien Studies.  My colleague, Dr. Stuart Lee, Oxford, is writing the academic article about the film and the background, and - as can be seen - he is a lead player in the Archive on 4 programme.  So, as regards this project, the work is done...

There is a delightful symmetry in bringing Joss Ackland into this project - I have remarked before on what a lovely job he did on the readings in the original 1968 film.  

One ring to rule them all...

Patrick O'Sullivan
Glucksman Ireland House, New York University http://irelandhouse.fas.nyu.edu/page/faculty

Tolkien - the Lost Recordings
Archive on 4
6 August 2016
8pm BBC Radio 4

Joss Ackland narrates a quest through BBC archives for unheard gems from JRR Tolkien, as Oxford Academic, Dr Stuart Lee, discovers the un-broadcast offcuts from an interview given by the author of the Lord of the Rings. 

Tolkien gave the interview for a BBC film in 1968, but only a tiny part of it was used in the broadcast programme. It was one of only a handful of recorded interviews he gave, and was to be his last. Dr Lee’s search for the un-broadcast rushes takes him to the depths of the BBC film archives, and back to the making of the original film: ‘Tolkien in Oxford.’

For the director, Lesley Megahey, only 23 at the time, this was his first film, and the one that launched a prestigious career. The programme reunites him with three others: researcher, Patrick O’Sullivan; Tolkien fan, Michael Hebbert - and critic Valentine Cunningham, who describes how he was brought in to be the voice of dissent challenging the burgeoning Tolkien cult spreading from America.

What emerges is a picture of a playful academic, whose fiction was little respected by adults at the time and looked down on as a lesser form of literature. But he is robustly defended by Professor Tom Shippey and remembered fondly by his colleague Dr Roger Highfield.


Stuart Lee presents the results of his search through the archives to Dr Dimitra Fimi who considers any new words from Tolkien’s mouth as ‘gold’. While, for Dr Lee, the real ‘dragon’s hoard’ is the privilege of hearing Tolkien in relaxed mode reflecting on his life as never before.

Tuesday, 6 October 2015

And hello again, nyu.edu

At the beginning of September 2015 the team at Glucksman Ireland House negotiated a continuation for a further year of my Visiting Scholar relationship with New York University.  So, I work on - till at least Autumn 2016.

I am very grateful to Glucksman Ireland House and to New York University for this support. It has certainly made a difference to the quality of the work I have been able undertake over the past year, and gives me a certain amount of confidence in this new academic year.

So, my thanks to Anne Solari, Joe Lee, Marion Casey and the rest of the team. And I do value the long distance collegiality that they bring to the relationship. In that regard, I should especially mention Nicholas Wolf, whose words of encouragement are always welcome.

I see that Glucksman Ireland House, New York University, web site...
http://irelandhouse.fas.nyu.edu/page/home

has me listed under 'Faculty'
http://irelandhouse.fas.nyu.edu/page/faculty

- and they have grabbed from somewhere the Fiddler's Dog woodcut which has, somehow or other, become my logo...

Nice...

Patrick O'Sullivan
September 2015

Saturday, 29 August 2015

And so farewell to bradford.ac.uk...

And so farewell to bradford.ac.uk...

Two semi-conscious entities, my own brain and the University of Bradford's computer system, have, quite independently, come to the same decision - it is time to close down my email address at the University of Bradford...


Which I have sometimes written as

This in an attempt to make O'Sullivan visible in an email address, after a discussion with the original email guy at the University of Bradford.

I will leave it to someone else to track the long discussions about apostrophes in email addresses, and in database entries...

The University's computer system has decided that I have 'left'.

I have been associated with the University of Bradford, in many different ways, since the 1980s.  I did an MA in Social and Community Work Studies at the University of Bradford - a very significant step.  Behind much of what I do, especially my confidence in developing an interdisciplinary approach, is the influence of that MA.

I have occasionally taught for the University of Bradford, within the Department of Applied Social Studies and the Department of Interdisciplinary Human Studies.  For some decades I was able to concentrate on the development of interdisciplinary Irish Diaspora Studies, using the University as a notional base.

In 1997 I founded the Irish Diaspora list, the email discussion forum for Irish Diaspora scholars throughout the world.  This was originally based at the University of Bradford, using the University's version of the Majordomo software. 

And I will leave it to someone else to write the history of Majordomo - though, at one point, I had to sit down and write a Guide to Majordomo, a piece of software you made work by sending emails to it...

In 2004 I moved the Irish Diaspora list to Jiscmail, the UK’s academic Listserv - Bradford's ac.uk email address helped there.  Jiscmail's rules stipulate that at least one list 'owner' has to have an ac.uk email address.

With the help of the technicians at Bradford and at Jiscmail, and friends at the University of Leeds, I was able to preserve the archives of the Irish Diaspora list.  Through many vicissitudes.  All now archived by the British Library, and by Jiscmail, and stored on discs held by the Glucksman Ireland House, NYU, and by the Mellon Centre for Migration Studies, Omagh.

For a  while my Irish Diaspora Studies web site was hosted by the University of Bradford.  The original design and coding for that web site was by my then very young son, Dan.

Much of my work was done under the umbrella of the notional, ‘paper’, Irish Diaspora Research Unit at the University of Bradford.  Where the notional Irish Diaspora Research Unit was especially useful was when I wrote references, research reports, book reviews, acted as a clearing house for information, made connections and introductions, and so on.  We were thus of service to the wider Irish Diaspora Studies research community - we were instrumental in getting very large sums of money for other research projects and bodies.  It seems to be especially useful to funding bodies that we stood outside the fray.

It is easy to demonstrate – with page scans of books and articles – this connection, between Irish Diaspora Studies and the University of Bradford.  I often use as an example, of what can be done with limited resources to change the landscape, our intervention into the study of the Irish Diaspora in Latin America – we published and then further developed an online Bibliography, which allowed us to help and encourage scholars interested in that field.  Again, it is very easy to demonstrate this achievement, with page scans of books and articles giving thanks and acknowledgement.

But now the University of Bradford's computer system has ended that relationship, and I cannot see any easy or obvious way to restore it.  I no longer have any influential contacts within the University.  I would be struggling to find anyone who remembers who I used to be - let alone anyone willing to work with the University system to grant me a favour.

So we are in agreement, that computer and I – let it end.  I will leave this message on my blog at Fiddler's Dog, so that if you are looking for the entity formerly known as P.OSullivan@bradford.ac.uk you can find me.

And I will leave it to someone else to raise and explore issues around the vast quantities of knowledge and research hidden behind universities' passwords and academic publishers' paywalls...  We paid for all that - why is not available to all of us, as a matter of course?  Can we not, very easily, imagine a better, and more democratic, use of resources?

Patrick O'Sullivan
August 2015


Monday, 8 June 2015

Podcast, Stuart Lee and Leslie Megahey on 'Tolkien in Oxford', BBC 1968

This interview and discussion is now available on the University of Oxford's podcast site...

Very good to see real information about the making of the BBC 1968 'Tolkien in Oxford' at last in the public domain, and placed before a knowledgeable and interested audience.  Stuart Lee is to be congratulated on moving this forward.

That useful chap 'Paddy O'Sullivan', who is mentioned a few times - that is me...

'Tolkien in Oxford', BBC 1968

Duration:0:37:00 | Added: 01 Dec 2014

'A discussion between Dr Stuart Lee and film & TV director Leslie Megahey on the BBC's 1968 documentary, 'Tolkien in Oxford', given at a day-long symposium that focused on different aspects of Tolkien's academic and literary work and life in Oxford.'

Stuart Lee Leslie Megahey
Keywords:tolkien BBC 1968 lord of the rings
Oxford Unit: Merton College

https://podcasts.ox.ac.uk/tolkien-oxford-bbc-1968

Patrick O'Sullivan
June 2015



Thursday, 14 May 2015

The Art of a Nation EXHIBITION

It is an ill wind...

I have just bought myself the catalogue of the new Irish exhibition, The Art of a Nation, at the Federation of British Artists Mall Galleries, in London. Sadly I don't think I am going to be able to visit the exhibition itself...

The background is that when 'The Nation' rescued the Irish banks, in the middle of that debacle, 'The Nation' found itself in possession of Allied Irish Banks' art collection - a commercial bank acting like a Renaissance prince. The collection has monetary value, of course - but any sum realised would, really, have been comparatively tiny in the midst of that crisis. And AIB's collection is an important contribution to The Nation's own history. So, the Nation has held on to it...

This is the Mall Galleries' web site...

http://www.mallgalleries.org.uk/whats-on/exhibitions/art-nation

'The Art of a Nation is the first major exhibition in London for 30 years that celebrates the story of Irish art from 1900 to the present day.
Drawing on the incomparable, award-winning collection of paintings, photography, tapestry and sculptures from the Allied Irish Banks and Crawford Art Gallery in Cork, this exhibition will include over 70 works by many of Ireland’s greatest artists...'

This is the Introduction to the Catalogue by Lewis McNaught, Director, Mall Galleries... Lewis McNaught does not put it like this, of course, but there is an Irish Diaspora Studies dimension here - studied by Lucy Cotter and others - where we need to understand the ways in which London and its art markets has shaped, and shapes, the development of Irish art. And artists...

http://www.mallgalleries.org.uk/about-us/blog/art-of-a-nation

'In recent years, we have had too few opportunities in this country to explore and evaluate the merits of Irish Art. Apart from a few commercial galleries that provide exhibition space for living, Irish-born painters, sculptors and photographers, it may surprise you to learn there has been no wide-ranging survey or other single exhibition in London providing an historical dimension to Irish Art of the twentieth and twenty-first centuries for more than 30 years...'

This is the Guardian's report on the exhibition...

http://www.theguardian.com/artanddesign/2015/may/13/hidden-history-irish-art-mall-galleries

'The paintings and sculptures all come from a collection assembled over decades by Allied Irish Banks (AIB), begun when it moved in 1980 to a grandiose new HQ. The collection was unusual because the bank set out not just to commission boardroom portraits but to collect backwards – to assemble a collection that traces the history of Irish art back into the 19th century. As Frances Ruane, who advised on acquisitions, notes in her catalogue introduction, the collection outgrew the lobbies and meeting rooms until the bank’s thousands of employees became accustomed to pictures hanging on almost every wall. The bank bought the work of young contemporary artists, which was cheap, as well as the work of Yeats, Orpen and Lavery, which even in the 1980s was not. Louis le Brocquy, who has several paintings and two glowing tapestries in the show, would become the first living Irish artist to smash the £1m barrier at auction...'

There is a really interesting Sean Keating, visible on the web pages.

The home of the collection is the Crawford Art Gallery, Cork - so maybe I will get to see it some day...

Patrick O'Sullivan